©Francisca Moreira
The Documentation Centre for Performing Arts and Science‘s collection is fundamentally composed of plays and essays focused on the crossing of these two fields of knowledge.
It is available for perusal at Marionet and the books may be borrowed and presentially picked up and droped off.
A alga que queria ser flor, Ana Cristina Tavares
A Dictionary of Alchemical Imagery, Lyndy Abraham
A disappearing number, Simon McBurney
A Expressão das Emoções no Homem e nos Animais, Charles Darwin
A expressão das emoções | LED – Viagem ao interior num computador, Mário Montenegro
A short history of night, John Mighton
Ada and the Engine, Lauren Gunderson
After Darwin, Timberlake Wertenbaker
An experiment with an air pump, Shelagh Stephenson
An Immaculate Misconception, Carl Djerassi
Art + Science Now – How scientific research and technological innovation are becoming key to 21st-century aesthetics, Stephen Wilson
Auto dos Físicos – no qual se tratam huns graciosos amores de hum clérigo, Gil Vicente (Recording, DVD)
Behind the Sheet, Charly Evon Simpson (Audio Recording, 2 CDs)
Blinded by the Sun, Stephen Poliakoff
Breaking the code, Hugh Whitemore
Cálculo, peça em dois actos, Carl Djerassi
Capture the Sun, George D. Morgan
Cellophane: Plays, Mac Wellman
Chemistry in theatre, insufficiency, phallacy or both, Carl Djerassi
Complicite’s Mnemonic, Complicité
Conceitos e Dispositivos de Criação em Artes Performativas, Fernando Matos Oliveira (editor)
Cyborg theatre – corporeal / technological intersections in multimedia performance, Jennifer Parker-Starbuck
Darwin in Malibu, Crispin Whittell
Deepen the Mystery – Science and The South Onstage, Lauren M. Gunderson
East of Berlin, Hannah Moscovitch
Einstein’s Dreams, Alan Lightman
Einstein’s Gift, Vern Thiessen
Emilie: La Marquise Du Châtelet Defends Her Life Tonight, Lauren Gunderson
Everyday Maps For Everyday Use, Tom Morton-Smith
Eurêka, le moment de l’invention, un dialogue entre art et science, Directed by Ivan Toulouse e Daniel Danétis
Evolution, Jonathan Marc Sherman
Farm Hall and the German Atomic Project of World War II – A Dramatic History, David C. Cassidy
Great men of science nos.21 & 22, Glen Berger
How the World Began, Catherine Trieschmann
Icarus at the Edge of Time, Brian Greene
Improbable frequency, Arthur Riordan
In the matter of J. Robert Oppenheimer, Heinar Kipphardt
Informed Consent, Deborah Zoe Laufer
Johnson Plays: 1, Terry Johnson (v.1: “Insignificance”, “Unsuitable for adults”, “Cries from the mamal house” )
Kafka’s Monkey, Franz Kafka, Colin Teevan
Lectures de Tom Stoppard : Arcadia, Liliane Campos
Lenin’s Embalmers, Vern Thiessen
Les variations Darwin, Jean-François Peyret et Alain Prochiantz
Literature and Science in the Nineteenth Century – An Anthology, ed. Laura Otis
Love and Information, Caryl Churchill
Luminescence dating, Carey Perloff
Mamet Plays: 1, David Mamet (v.1: “Duck Variations”, “Sexual Perversity in Chicago”, “Squirrels”, “American Buffalo”, “The Water Engine”, “Mr. Happiness”)
Myth, Matt Hartley & Kirsty Housley (in Two Radical New Plays, Oberon Modern Playwrights)
Na Companhia das Vozes, org. Marius Romme and Sandra Escher
Newton’s Darkness – Two Dramatic Views, Carl Djerassi & David Pinner
Now then again, Penny Penniston
O Bairro da Tabela Periódica, Manuel João Monte
O Professor de Darwin, Hélder Costa
On the Verge, or The Geography of Yearning, Eric Overmyer
Oxigénio, Carl Djerassi & Roald Hoffmann
Partilha de Cena, MAFIA
Pasadena Babalon, George D. Morgan
Performance, Medicine and the Human, Alex Mermikides
Performance and Evolution in the age of Darwin, out of the natural order, Jane R. Goodall
Proust was a Neuroscientist, Jonah Lehrer
Quantum Theatre | Science and Contemporary Performance, Paul Johnson
Radiance: The Passion of Marie Curie, Alan Alda
Rien qu’un acteur suivi de Farben, Mathieu Bertholet
Ritmos do Jardim Botânico da Universidade de Coimbra, Ana Cristina Tavares
Rock’n'Roll e outras peças, Tom Stoppard
Science is Culture – conversations at the New Intersection of Science + Society, Editor Adam Bly
Scientific Americans, John Mighton
String Fever, Jacquelyn Reingold
Tesla, A Biographical Play, Acie Cargill
The Cambridge Companion to Theatre and Science, Kirsten E. Shepherd-Barr (editor)
The Catastrophist, Lauren M. Gunderson
The Dialogue of Art and Science in Tom Stoppard’s Arcadia, Liliane Campos
The Earthworks, Tom Morton-Smith (in Two Radical New Plays, Oberon Modern Playwrights)
The Einstein Project, Paul D’Andrea, Jon Klein
The Eyes of Isaac Newton, Iggy McGovern
The Farnsworth Invention, Aaron Sorkin
The How and The Why, Sarah Treem
The Intelligent Design of Jenny Chow, Rolin Jones
The Love Song of J. Robert Oppenheimer, Carson Kreitzer
The Mound Builders, Lanford Wilson
The Recantation of Galileo Galilei, Eric Bentley
The Science of Shakespeare: A New Look at the Playwright’s Universe, Dan Falk
The Talking Cure, Christopher Hampton
The Tragedy of Edward Teller, Istvan Hargittai
Theatre and Evolution from Ibsen to Beckett, Kirsten E. Shepherd-Barr
Théâtre du XXIe siècle : commencements, Jean-Pierre Ryngaert, Julie Sermon
Theatre of Chaos – Beyond Absurdism, Into Orderly Disorder, William W. Demastes
Thousand Years Waiting and Other Plays, Chiori Miyagawa
Tigri e Teoremi – Scrivere teatro e scienza, Maria Rosa Menzio
Tooth and Claw, Michael Hollinger
Transit of Venus, Maureen Hunter
Wilson Plays: 2, Snoo Wilson (v.2: “Vampire”, “The Gland Hand”, “The Grass Widow”, “Sabina”)
